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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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15
PIANO & CLAVIERS
Piano, Voix
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Flûte traversière et Piano
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Quatuor de Saxophones: 4 saxophones
2
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Quatuor de Clarinettes: 4 clarinettes
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Flûte traversière
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Quatuor à cordes: 2 violons, alto, violoncelle
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Harpe, Flûte (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre
7
Ensemble de cuivres
5
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"Saxophone Quartet" [Score & Parts]
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.976041 Composed by Lior Navok. 20th Century,Contemporary. 108 pages. Lior Navok Music #4725323. Published by Lior Navok Music (A0.976041). SAXOPHONE QUARTET (1999) INSTRUMENTATION: SATB Saxophones DURATION: 15 minutes MOVEMENTS: Introduction Recitative No. 1 - AltoCirclesrecitative No. 2 - TenorEvening ThoughtsRecitative No.3 - BaritoneScherzo; Recitative No. 4 - SopranoFinalePROGRAM NOTES: The composer writes about his work:The saxophone quartet as a musical medium is one of the richest in its contrasting colors, versatility and expressions. For me, Saxophone Quartet music is also the closest to the human choir. While writing my saxophone quartet I was intrigued to explore the ensemble's technical, timbrel, rhythmical and lyrical aspects. The four saxophones can create a homogeneous texture, but can also express their own individuality and uniqueness. Therefore, the quartet consists of five movements, and four recitatives, one for each saxophone. The recitatives' purpose is double: to feature one saxophone a time on one hand, and lead to the next movement on the other. Saxophone Quartet was commissioned by the Fromm Music Foundation and received its first performance by the Raschèr Saxophone Quartet. INFO:Item: Full Score & Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 37 Parts: 68 Ink: Black & White Paper Size: DIN A4 / Letter.
$35.00
32.67 €
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Quatuor de Saxophones: 4 saxophones
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Lior Navok
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Recitative No
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"Saxophone Quartet" [Score & Parts]
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Lior Navok Music
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SheetMusicPlus
Recitative and Lament
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1124419 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1124419 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 6 pages. Studio at the Post #723415. Published by Studio at the Post (A0.1124419). Duration: 4 minutes, 4pp. Description: Recitative and Lament for Solo Double Bass and Voice is for a single performer, self-accompanied. Dedicated to Bert Turetzky. An alien's concept of a work of art, according to the science-fiction novelist Robert Heinlein: It could have been a poem, a musical opus, or a philosophical treatise; it was a series of emotions arranged in tragic, logical necessity. (Stranger in a Strange Land). NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
1.88 €
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Contre Basse
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Igor Korneitchouk
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Recitative and Lament
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Studio at the Post
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SheetMusicPlus
Beethoven - String Quartet No.14 in in C sharp minor, Op.131
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.1111547 Composed by Ludwig…
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String Quartet String Quartet - Digital Download SKU: A0.1111547 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 119 pages. J.G. Cuco Barber #713839. Published by J.G. Cuco Barber (A0.1111547). Work Title String Quartet No.14 Composer Beethoven, Ludwig van Opus/Catalogue Number Op.131 Key C-sharp minor Movements/Sections 7 movements: 1. Adagio ma non troppo e molto espressivo (C⯠minor) 2. Allegro molto vivace (D major) 3. Allegro moderato (recitative) (C⯠minor) 4. Andante ma non troppo e molto cantabile (A major) 5. Presto (E major) 6. Adagio quasi un poco andante (G⯠minor) 7. Allegro (C⯠minor) Year/Date of Composition 1826 First Publication 1827 (April) - Mainz: Schott Dedication Baron von Stutterheim Composer Time Period Classical Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
21.47 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ludwig van Beethoven
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J
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Beethoven - String Quartet No.14 in in C sharp minor, Op.131
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J.G. Cuco Barber
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SheetMusicPlus
Paul-Agricole Génin: Introdcution et Polacca, Opus 15, no. 2 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de lâAcadémie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a lively polonnaise in several contrasting sections.
$10.35
9.66 €
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Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul-Agricole Génin: Introdcution et Polacca, Opus 15, no. 2 for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestre
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
13.06 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (piano d'accompagnement)
Piano seul
Téléchargez la partition Piano La Création (Die Schöpfung), Hob.…
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Téléchargez la partition Piano La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (piano d'accompagnement) de Haydn. Partition pour Piano daccompagnement -- Classique
1.99 €
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Piano seul
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (Saxophone ténor)
Saxophone Tenor
Téléchargez la partition Saxophone La Création (Die Schöpfung), …
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Téléchargez la partition Saxophone La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (Saxophone ténor) de Haydn. Partition pour Saxophone avec piano daccompagnement -- Classique
2.99 €
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Saxophone Tenor
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Trompette
Téléchargez la partition Trompette La Création (Die Schöpfung), …
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Téléchargez la partition Trompette La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Trompette avec piano daccompagnement -- Classique
2.99 €
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Trompette
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Clarinette
Téléchargez la partition Clarinette La Création (Die Schöpfung),…
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Téléchargez la partition Clarinette La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Clarinette avec piano daccompagnement -- Classique
2.99 €
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Clarinette
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (piano d'accompagnement)
Piano seul
Téléchargez la partition Piano La Création (Die Schöpfung), Hob.…
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Téléchargez la partition Piano La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative (piano d'accompagnement) de Haydn. Partition pour Piano daccompagnement -- Classique
1.99 €
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Piano seul
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Alto seul
Téléchargez la partition Alto La Création (Die Schöpfung), Hob.X…
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Téléchargez la partition Alto La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Alto avec piano daccompagnement -- Classique
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Alto seul
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Flûte traversière
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Téléchargez la partition Flûte La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Flûte avec piano daccompagnement -- Classique
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Flûte traversière
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Violoncelle
Téléchargez la partition Violoncelle La Création (Die Schöpfung)…
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Téléchargez la partition Violoncelle La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Violoncelle avec piano daccompagnement -- Classique
2.99 €
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Violoncelle
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Tomplay
Haydn : La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative
Violon
Téléchargez la partition Violon La Création (Die Schöpfung), Hob…
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Téléchargez la partition Violon La Création (Die Schöpfung), Hob.XXI:2 - n° 7 Recitative de Haydn. Partition pour Violon avec piano daccompagnement -- Classique
2.99 €
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Violon
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Tomplay
Oskar Rieding : 4 pièces faciles de récitation, Op. 23 - No. 1 Pastorale
Piano seul
Téléchargez la partition Piano 4 pièces faciles de récitation,…
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Téléchargez la partition Piano 4 pièces faciles de récitation, Op. 23 - No. 1 Pastorale de Rieding. Partition pour Duo -- Classique
5.99 €
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Piano seul
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Tomplay
Oskar Rieding : 4 pièces faciles de récitation, Op. 23 - No. 1 Pastorale
Violon
Téléchargez la partition Violon 4 pièces faciles de récitation…
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Téléchargez la partition Violon 4 pièces faciles de récitation, Op. 23 - No. 1 Pastorale de Rieding. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Tomplay
The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal
Piano, Voix
Piano and voice - Digital Download SKU: LV.1387 Composed by John Clarke. Aged perso…
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Piano and voice - Digital Download SKU: LV.1387 Composed by John Clarke. Aged persons, Distress, War, Soldiers, Musicians, Religion. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1387). The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal [sic]. With an Accompaniment for The Harp or Piano Forte. Composed by John Clarke. Published [n.d.] by G. Graupner, No. 6 Franklin Street in Boston. Composition of recitative introduction, through-composed aria with piano and voice First line of recitative And said I that my limbs were old First line of aria In peace, love tunes the shepherds reed instrumentation. Subject headings for this piece include Aged persons, Distress, War, Soldiers, Musicians, Religion. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voix
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John Clarke
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The Minstrel's Harp. A Cantata, From the Lay of the Last Minstreal
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Judicium Salomonis. [17. Recitative] by Marc-Antoine Charpentier - Basso continuo or Voice Solo
Voix et basse continue
Marc-Antoine Charpentier - Judicium Salomonis. [17. Recitative] - Part 10 of 11; includes …
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Marc-Antoine Charpentier - Judicium Salomonis. [17. Recitative] - Part 10 of 11; includes No. 18, Duet and No. 19, Recitative Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Vocal Solo, instruments: Voice;Basso continuo; 3 pages -- Baroque~~Sacred~~Classical
$3.99
3.72 €
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Voix et basse continue
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Basso continuo or Voice Solo
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Musicnotes
Six Bagatelles for Beethoven 250
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshal…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethovenâs music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
15.86 €
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Clarinette
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adapting the music to the bagatelle form, it reflects the less ponderous side of the composer
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James Marshall
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Six Bagatelles for Beethoven 250
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James Marshall Music
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SheetMusicPlus
Monteverdi Madrigals Book 6 - 08. SESTINA
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
14.92 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 - 08. SESTINA
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Lyons Music Services
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SheetMusicPlus
Messiah, No. 20: He Shall Feed His Flock Like a Shepherd / Come Unto Him (Recitative & Air) by George Frederick Handel - Piano/Vocal, Singer Pro
Piano, Voix
George Frederick Handel - Messiah, No. 20: He Shall Feed His Flock Like a Shepherd / Come …
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George Frederick Handel - Messiah, No. 20: He Shall Feed His Flock Like a Shepherd / Come Unto Him (Recitative & Air) - Inclluding No. 19: Then Shall the Eyes of the Blind Be Opened Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 5 pages -- Baroque~~Classical~~Christmas~~Sacred~~Christmas - Religious
$5.50
5.13 €
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Piano, Voix
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Piano/Vocal, Singer Pro
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Musicnotes
Messiah, No. 47 & 48: Behold, I Tell You a Mystery / The Trumpet Shall Sound (Recitative & Air) by George Frederick Handel - Piano/Vocal, Singer Pro
Piano, Voix
George Frederick Handel - Messiah, No. 47 & 48: Behold, I Tell You a Mystery / The Tru…
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George Frederick Handel - Messiah, No. 47 & 48: Behold, I Tell You a Mystery / The Trumpet Shall Sound (Recitative & Air) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 9 pages -- Classical Period~~Classical~~Christmas~~Sacred~~Christmas - Religious
$5.99
5.59 €
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Piano, Voix
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Piano/Vocal, Singer Pro
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Musicnotes
Verdi-Dammi tu forza(Recitative),Act 2 No.9,in g minor
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385862 Composed by Verdi (G…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385862 Composed by Verdi (Giuseppe Verdi). Arranged by OSM Press. Classical. Score. 12 pages. Open Cloud #969804. Published by Open Cloud (A0.1385862).
$9.99
9.32 €
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Piano, Voix
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Verdi
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OSM Press
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Verdi-Dammi tu forza(Recitative),Act 2 No.9,in g minor
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Open Cloud
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SheetMusicPlus
Verdi-Pura siccome un angelo(Recitative and Duet),Act 2 No.8,in a minor
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385859 Composed by Verdi (G…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1385859 Composed by Verdi (Giuseppe Verdi). Arranged by OSM Press. Classical. Score. 43 pages. Open Cloud #969801. Published by Open Cloud (A0.1385859).
$18.99
17.72 €
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Piano, Voix
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Verdi
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OSM Press
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Verdi-Pura siccome un angelo(Recitative and Duet),Act 2 No.8,in a minor
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Open Cloud
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,â Dorabellaâs first aria from Mozartâs Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, Iâve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative âAh, scostati!â is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition thatâs not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who donât know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know âSmanieâ well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or âfudgedâ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâve provided.2. Iâve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a âsink or swimâ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâs markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, Iâve noted alternate cuts that singers might like to take within certain arias.6. Iâve also replaced text âcresc.â and âdim.â markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
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